From Poetry to Fashion to Step: Kwanzaa Fest Sparkles on the Stage

Beautiful outfits and stunning dance moves honored African American culture. *Photo: Leah Portnoy*

By JOEMI QUIROZ ORTIZ and ANAYA MCLEOD
Joemi Quiroz Ortiz is a member of the BHA.

Students eagerly gathered in Greenberg Auditorium on Thursday December 19 to tune into the 36th annual Kwanzaa Fest. The event was orchestrated by the Black Heritage Alliance (BHA) and their advisor Ms. Marie Volcy to spread knowledge about African American culture.

Kwanzaa, created by African American activist Maulana Karenga, is celebrated over a seven day span from December 26-January 1. It encourages individuals to reflect on their heritage, embrace cultural empowerment, and promote positive change in their lives and communities.

“I hope this show will help attendees learn something about Kwanzaa and what it stands for, and how they can apply these principles to their daily purpose,” said senior Jordyn Chambers, the administrative assistant of BHA.

This year, the performance followed the story of a real estate developer, Mr. Thompson, played by Muaz Ahmed '25, who attempts to tear down a neighborhood that hosts a block party for Kwanzaa Fest. A group of friends played by juniors Ameer Rayson and Wamda Adams and seniors Serenity Eaddy, Zachary Ishibashi, and Andre LaRochelle, make it their mission to convince him that their block is not just a strip of land but a collective village.

Dancer Kimora James ‘26, clothed in a flowing blue dress, emerged from the curtains, showcasing her passion and grace in the form of praise with the song “You Will Win” by Jekalyn Carr. Praise is a dance style celebrated for its heartfelt expression of love and worship, one that is common to African American culture.

Tribal and modern dance also made an appearance with students moving in unity to rhythmic drums and busting a move to African musical artists like Rema and the duo P-Square.

The show had seven acts, each showcasing a principle of Kwanzaa: Umoja (Unity), Kujichagulia (Self-Determination), Ujima (Collective Work and Responsibility), Ujamaa (Cooperative Economics), Nia (Purpose), Kuumba (Creativity), and Imani (Faith).

After each scene, students rose to the stage to read poems, concluding one principle and preparing for another, as they lit candles representing each principle on the kinara.

Andrea Fele ‘25, both an African dance director and model, has seen the best of both worlds. “I’ve been a part of Kwanzaa dance for two years,” she said. “I felt like I had enough experience to step up to the plate and add on to the legacy of the fest.”

During the fashion show, the audience erupted in cheers as students confidently showcased traditional African attire adorned with vibrant patterns. The girls dazzled in intricate dresses and stylish jumpsuits, while the boys impressed in their elegant long-sleeve shirts and coordinating pants.

“It’s not just about wearing clothes,” said model Joseph Jean ’25. “It's about telling a story through poses and looks.”

As one of the final performances of the event, the Lady Phoenix step team captivated the audience with their dynamic beats and energetic chants, leaving the crowd in awe.

“Step always comes through,” said model Raneil Clarke ‘25.

“I knew the step team was going to do well; they always do,” added junior African dancer, model, and side actor Makayla Ofori.

For the closing scene, all participants gathered around the stage, ready to energize the room with spirited line dancing. As the dancers took the floor, the audience was transported into the reflective inner thoughts of Mr. Thompson, revealing his newfound appreciation and deeper understanding of Kwanzaa.

“Honestly it's all about a sense of community, unity, family, and love; all the words combined into one,” said junior Soraya Henry. “And if I could choose one word to describe what it's truly about, I would say ‘unity.’”